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Scoring a memory: the soundtrack behind the silence

Tim Shiel on tape hiss, cicadas, vintage synths and writing music that sounds like it's already being remembered — the story of gaming's softest score.

Studio Editorial 30 June 2026 6 min read Music
Synthesizers in the composer's studio

The brief Tim Shiel gave himself was one sentence: 'The music should sound like it's already being remembered.' Not nostalgic — remembered. There's a difference, and it took him most of a year of vintage synthesizers and field recordings to find it.

The result is a score that sits slightly behind the action instead of on top of it — music as weather, not commentary. Players consistently describe it as the thing that made the ending land.

Studio Editorial

Long-form writing from the Gardens Between World team — guides, essays and the occasional confession from development.


In this article
  • Instruments that already sounded old
  • Music that waits for you
  • The ambient mixes
  • Where to get it

Instruments that already sounded old

Shiel tracked the score on ageing synths run through actual tape machines — hiss left in deliberately. Field recordings from Melbourne suburbs supplied the rest: cicadas, distant trams, rain on a tin roof recorded in the composer's own backyard during the same kind of storm the game is about.

The main theme's melody is a music box — an instrument that only plays memories by design. Shiel has said he bought three broken ones before finding the one whose mechanism 'limped the right way'.

I didn't want players to hear a score. I wanted them to half-remember one.
— Tim Shiel, composer

Music that waits for you

The score is mixed to leave space — islands breathe in long quiet stretches where only the weather plays. When the music does arrive, it arrives like a memory surfacing: mid-phrase, unhurried, already partway through a thought.

Tape machine detail
Field recording session

The ambient mixes

Two tracks exclusive to the portal's album release stretch the game's themes into long ambient pieces — the storm suite alone runs twenty-two minutes. Shiel built them for the players who kept asking for a 'sleep version' of the ending theme.

Listening notes

  • Play 'Are We Dreaming?' on headphones — the storm is mixed just under the melody.
  • 'Your Memory Lane' works standalone; several players use it as a focus track.
  • The ambient mixes are exclusive to the bought album — nowhere on streaming.

Where to get it

The complete soundtrack ships DRM-free in FLAC and MP3 through this portal — including the two ambient exclusives and liner notes from Shiel's production diary. It's also inside the Deluxe and Complete editions at no extra cost.

Keep reading: The Original Soundtrack album · Deluxe Edition — album included

Own the weather

17 tracks, FLAC + MP3, DRM-free — A$9.99.